Música e Retórica

IARTE42034
por Maurício Tadeu dos Santos Orosco
Publicado: 05/07/2024 - 16:28
Última modificação: 13/07/2024 - 15:08
Créditos: 
4

Ementa:

Estudo e discussão de aproximações entre Música e Retórica.

Bibliogafia:

BACH, Carl Philipp Emanuel. Ensaio sobre a maneira correta de tocar teclado (1753-1762). Tradução: Fernando Cazarini. Campinas: Editora da Unicamp, 2009.

BARTEL, Dietrich. Musica Poetica: Musical-Rhetorical Figures in German Baroque Music.Nebraska: University of Nebraska Press, 1997.

BUELOW, George J. "In Defence of J.A. Scheibe against J.S. Bach," in Proceedings of the Royal Musical Association 101 (1974-75), p. 85.

_____. "Johann Mattheson and the invention of the Affektenlehre," in New Mattheson Studies, ed. G. Buelow and H.J. Marx. Cambridge: Cambridge University Press, 1983.

_____. "The ëLoci topicií and affect in late baroque music; Heinichenís practical demonstration," in The Music Review, 28, 1966, pp. 161-176.

_____. "Music, Rhetoric, and the Concept of the Affections: A Selective Bibliography," in Notes 30 (1973), pp. 250-259.

_____. "Music and Rhetoric," in The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie, 15, pp. 793-803.

_____. "Teaching Seventeenth-Century Concepts of Musical Form and Expression: An Aspect of Baroque Music," in College Music Symposium 27 (1987), pp. 1-13.

BURMEISTER, Joachim. Musica poetica. (1606). Translation (Musical Poetics)  Musical Poetics. Transl. Benito Rivera. New Haven: Yale University Press, 1993. 306 p. (Series ed. by Claude Palisca)

LIPPMAN, Edward A. "The place of aesthetics in theoretical treatises on music," in Christopher Hatch and David W. Bernstein, eds., Music Theory and the Exploration of the Past. Chicago: University of Chicago Press, 1993. 217-232. 

LUCAS, Mônica. Emulação de retóricas clássicas em preceptivas da musica poetica. Opus, Porto Alegre, v. 20, n. 1, p. 71-94, jun. 2014.  

MARPURG, Friedrich Wilhelm. Des critischen Musicus an der Spree (1750). Erster Band. Hildesheim, New York: Georg Olms Verlag, 1970.

MATTHESON, Johann. Der vollkommene Capellmeister (1739). Hrsg. von Friederike Ramm. Studienausgabe im Neusatz des Textes und der Noten. Kassel, Basel, London, New York, Prag: Bärenreiter, 1999.  

MEYFART, Johann Matthäus. Teutsche Rhetorica oder Redekunst (1634). Herausgegeben von Erich Trunz. 1.Auflage. Tübingen: Max Niemeyer, 1977.

QUANTZ, Johann Joachim. Versuch einer Anweisung, die Flöte traversiere zu spielen (1752). Reprint der Ausgabe Berlin 1752. Mit einem Vorwort von Hans-Peter Schmitz. Mit einem Nachwort, Bemerkungen, Ergänzungen und Registern von Horst Augsbach. Kassel, Basel, London: Bärenreiter, 1983.

RETÓRICA A HERÊNIO, 1ª ed., São Paulo: Editora Hedra, 2005.

Tópicos: